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  • ARTISTS & WORKS
  • ::::::::::::::::::::::::::::::::::::::::::::::::::::::

    Bendazzi, Giannalberto. Alexeieff. Itinérarie d’un Maître – Itinerary of a Master.
    Dreamland Editeur, Paris 2001

    Dobson, Terence
    The Film Work of Norman McLaren. John Libbey Publishing, Eastleigh UK 2006

    Halas, Vivien. Halas & Batchelor Cartoons.
    Southbank Publishing, London 2006

    Kashmere , Brett. Len Lye. Senses Of Cinema 2006

    Melançon , Paul. Begone Dull Care. Senses Of Cinema March 2005

    Sexton , Jamie. Alchemical Transformations: The Abstract Films of Harry Smith. Senses Of Cinema 2005

  • GENERAL
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    Voice: AIGA Journal of DesignEngaging essays and thoughtful criticism on design issues

    Aurora : Transcripts & ArticlesSmall yet important selection of articles on animation

    Andrew, J Dudley.
    The Major Film Theories. Oxford University Press, 1976

    Boehnert, Jody. Emotion Graphics. Eye Magazine Issue 62 2006

    Furuya, Kurando (Editor)
    Japanese Motion Graphic Creators 2007. BNN Inc. Tokyo 2007

    Kandinsky, Wassily. Concerning The Spiritual in Art

    Kepes, Gyorgy
    Language of Vision. Dover Publications, New York 1995

    Krasner, Jon.
    Motion Graphic Design & Fine Art Animation. Focal Press, 2004

    Lupton, Ellen. Miller, Abbott
    Design Writing Research. Phaidon Press, 1999

    Maeda, John. Creative Code. Thames & Hudson, London 2004

    Metz, Christian.
    Film Language. Oxford University Press, 1974

    Russett, Robert. Starr, Cecile
    Experimental Animation. Origins of a New Art. Da Capo Press, New York 1988

    Soar, Matt & Hall, Peter. Images Over Time. Eye Magazine Issue 60 2006

    Sons & Lumière. Une Histroire du Son dans l’Art du XX Siècle
    Editions de Centre Pompidou, Paris 2004

    Sorfa, David. The Nature of Animation. Senses Of Cinema May 4 2006

    Walter, Shane RJ.
    Motion Blur:onedotzero. Laurence King Publishing, London 2004

    Walter, Shane RJ.
    Motion Blur2:onedotzero. Laurence King Publishing, London 2008

    Wells, Paul
    The Fundamentals of Animation. AVA Publishing, London 2006

    Woolman, Matt
    Motion Design. Moving Graphics for Television, Music Video, Cinema and Digital Interfaces Rotovision SA, Hove UK 2004

    A selection of articles and essyas in French on various multimedia issues.

  • MAIN TITLES
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    Allison, Deborah. Catch Me If You Can, Auto Focus,Far From Heaven and the Art of Retro Title Sequences Senses Of Cinema April 2003

    Counts, James. Just the Beginning: The Art of Film Titles
    http://www.twenty4.co.uk

    Heller, Steven. Quick Cuts, Coarse Letters, Multiple Screens: First published as ‘Mr. Roughcutin Eye No. 32 Summer 1999

    Inceer, Melis. An Analysis of the Opening Credit Sequence in Film. Senior Thesis. University of Pennsylvania. May 2007

    Karamath, Joel. Overtures and Psychotic Symphonies. Eye Magazine Issue 39 2001

    King, Emily. Taking Credit: Film title sequences, 1955-1965. Unpublished dissertation n.d.

    King, Emily. Robert Brownjohn: Sex And Typography. Laurence King Publishing 2005

    Peters, David. Every Frame Counts. Eye Magazine Winter Issue 66 2007

    Robert, Florence. Catch Me If You Can. Short Web Article (in French)

    Tylski, Alexandre. Les Cinéastes et leurs Génériques. L’Harmattan 2008

    Zagala, Anna. The Edges of Film. Sense Of Cinema February 2002

  • NARRATION
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    Helfand, Jessica. The Designibles. Design Observer 2004

    Moritz, William. “Some Observations on Non-Objective and Non-Linear Animation.” Storytelling in Animation: the Art of the Animated Image, Volume 2. Ed. John Canemaker. Los Angeles: American Film Institute, 1988, 21-31.

  • VIDEOS : A Selection of Historic Collections
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    Origins of American Animation, 1900-1921

  • VISUAL MUSIC
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    A selection of articles by Dr. William Moritz on visual music . 1969 – 2004

    Youngblood, Gene. Larry Cuba. Visionary Film 2006

    One Response to “Readings”

    1. Jloupf Says:

      Très intéressant ce site !
      T’aurais des trucs en français ?

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