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Bendazzi, Giannalberto. Alexeieff. Itinérarie d’un Maître - Itinerary of a Master.
Dreamland Editeur, Paris 2001
Dobson, Terence
The Film Work of Norman McLaren. John Libbey Publishing, Eastleigh UK 2006
Halas, Vivien. Halas & Batchelor Cartoons.
Southbank Publishing, London 2006
Kashmere , Brett. Len Lye. Senses Of Cinema 2006
Melançon , Paul. Begone Dull Care. Senses Of Cinema March 2005
Sexton , Jamie. Alchemical Transformations: The Abstract Films of Harry Smith. Senses Of Cinema 2005
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Voice: AIGA Journal of Design - Engaging essays and thoughtful criticism on design issues
Aurora : Transcripts & Articles - Small yet important selection of articles on animation
Andrew, J Dudley.
The Major Film Theories. Oxford University Press, 1976
Boehnert, Jody. Emotion Graphics. Eye Magazine Issue 62 2006
Furuya, Kurando (Editor)
Japanese Motion Graphic Creators 2007. BNN Inc. Tokyo 2007
Kandinsky, Wassily. Concerning The Spiritual in Art
Kepes, Gyorgy
Language of Vision. Dover Publications, New York 1995
Krasner, Jon.
Motion Graphic Design & Fine Art Animation. Focal Press, 2004
Lupton, Ellen. Miller, Abbott
Design Writing Research. Phaidon Press, 1999
Maeda, John. Creative Code. Thames & Hudson, London 2004
Metz, Christian.
Film Language. Oxford University Press, 1974
Russett, Robert. Starr, Cecile
Experimental Animation. Origins of a New Art. Da Capo Press, New York 1988
Soar, Matt & Hall, Peter. Images Over Time. Eye Magazine Issue 60 2006
Sons & Lumière. Une Histroire du Son dans l’Art du XX Siècle
Editions de Centre Pompidou, Paris 2004
Sorfa, David. The Nature of Animation. Senses Of Cinema May 4 2006
Walter, Shane RJ.
Motion Blur:onedotzero. Laurence King Publishing, London 2004
Walter, Shane RJ.
Motion Blur2:onedotzero. Laurence King Publishing, London 2008
Wells, Paul
The Fundamentals of Animation. AVA Publishing, London 2006
Woolman, Matt
Motion Design. Moving Graphics for Television, Music Video, Cinema and Digital Interfaces Rotovision SA, Hove UK 2004
A selection of articles and essyas in French on various multimedia issues.
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Allison, Deborah. Catch Me If You Can, Auto Focus,Far From Heaven and the Art of Retro Title Sequences Senses Of Cinema April 2003
Counts, James. Just the Beginning: The Art of Film Titles
www.twenty4.co.uk
Heller, Steven. Quick Cuts, Coarse Letters, Multiple Screens: First published as ‘Mr. Roughcutin Eye No. 32 Summer 1999
Inceer, Melis. An Analysis of the Opening Credit Sequence in Film. Senior Thesis. University of Pennsylvania. May 2007
Karamath, Joel. Overtures and Psychotic Symphonies. Eye Magazine Issue 39 2001
King, Emily. Taking Credit: Film title sequences, 1955-1965. Unpublished dissertation n.d.
King, Emily. Robert Brownjohn: Sex And Typography. Laurence King Publishing 2005
Peters, David. Every Frame Counts. Eye Magazine Winter Issue 66 2007
Robert, Florence. Catch Me If You Can. Short Web Article (in French)
Tylski, Alexandre. Les Cinéastes et leurs Génériques. L’Harmattan 2008
Zagala, Anna. The Edges of Film. Sense Of Cinema February 2002
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Helfand, Jessica. The Designibles. Design Observer 2004
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Origins of American Animation, 1900-1921
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A selection of articles by Dr. William Moritz on visual music . 1969 - 2004
Youngblood, Gene. Larry Cuba. Visionary Film 2006
